Middle bullfighting goes talking about the controversy Puerta del Príncipe de El Juli. Yesterday
bullfight was at least (that some say was Julian) and enjoyed an exciting afternoon of bullfighting in the hands of Madrid.
But if there's something I really liked BULLS plus channel these days is the interview with Manolo Cortés.
An intimate interview, nice sincere.
was a matador of my grandfather told me a lot and I always remembered one afternoon when he enjoyed his art on a run of Miura in Valencia.
In the interview, has been a pleasure to hear.
A torero-called artists who said that above all to teach the bull to charge and that the fighting is more important than it seems.
The teacher spoke of important tasks, among which were Miura bulls, Urquijo, Samuel Flores, Palha and Victorinos among others, as they do now bullfighters artists go.
Manolo Cortes had a beginning in which no one taught him to fight. The teacher noticed the great bullfighters when he went to the corral because they had no money to see them in the square and was well on the field, where she imbibed the most important bullfights of his time, including the likes of bullfighters Rafael Ortega, Ordonez, roads and ports, almost worth nothing. In which as he said, they were gods of bullfighting.
was a pleasure to hear him talk about that rivalry, of those times where if someone wanted to be a bullfighter whores were spent and earned with blood and sweat the next action.
His problem was always told that the facility and a bad sword, apart from two cornalones in Castellón and Madrid.
And, like other great masters of Seville, to excel, "must first be able to bull." Then comes cadence, tempering and recognized in luck, because "before taking a cape or a trincherazo I lived and I was excited." The
miss guys like today.
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